Mark Bolsover
the super-blood moon, … —eclipse (-eclipsed). …
—the twenty-eighth, then, of the ninth, two-thousand and fifteen. …
—twoten,—t’ threefiftyfive A(y).(e)M(m). (approx.) …
…
… cold (chill), empty night street (—in the place—the square-gardens). …
—no others.
clear-empty, deep (dark)purple sky (—fringed with with-by white-grey (—to, strange, electric blue)… —glow (hazy phosphoresce) of inner-citylightpollution. … ).
moon. —over—bright—(above) the neo-classic buildings. …
—over. (cross—the cobbles (setts). … ). … —the bench, by the railings (black. iron) of (- ‘round) the gardens-square (hedge rows. hide).
on a bench. sit.
( … —young man—walking there down (by).—other side. oblivious.
—hocks-spits phlegm(-phlegmatic) frequent. …
…
—passes. … ).
‘nd—watch. …
over – time. … —as the hazy (dust—glow-edged) shadow of the Earth, … … —slides (– (…) runs, (seeming)), slowly, … —over-down the(…) sharp,—clear, strong-bright disc (strangely(…) – flat) of the moon. …
… —emerges of red(-brown.—rust) glow-edged (phosphorescing),…
—recession of the bright white arc-crescent (—glowing.—haze haloed) in the dark, ink-liquid (so dark) blue-purple. …
( …
earlier. … —had seen the Blood moon.—over Holyrood (—the Seat. and Crags.—the Park. … ). …
sat,—on the grass,—beneath(-below) th’American – Consulate (—Regent Road (park)). …
—light peach-orange disc (—dark orange-brown mottle of craters-features over)—distorted (somehow seemed)… —wavering. … —large, and strong. …
—to disappear in-behind bands-ribbons of (thick-heavy) lilac-blue cloud. … …
… —all (this) reminds of a-the solar eclipse.—earlier in the year (—on Fri,… — twentieth of the third (Mar). … ).
…
—the sun. …
—steadily decreasing, strange crudely cut flat orange (-yellow) disc (—in-through the shading view-ing glasses, bought over-online. as we sat on the front step-stoop. in the chill morning (—cold metallic hard grey stone. … ). talking to neighbours and to the passers-by there (—a rare excuse to engage (with).—sharing the glasses.—waiting. … ). … ). …
—a steadily decreasing(-receding) crescent-curve.—glowing. … —bleeding around the edges (slight),… —around the (smaller) misted black-grey(—shadow) disc of the moon. (—equally seemingly crude-cut). …
…
—the quality of the light. …
(—a(…) shift. … —in gradual, subtle, and yet-but distinct … —phases (dropping). … ).
(…) —at the… peak.—the moment.
(—of eclipse). …
—a(…) strange… —washed – out (so to–.—dulled … ) blue-grey (—metallic?)… — watery,… —muted (—wan). strangely… vacant (sic.), and subdued (—shadow shaded).
—an absence (slight—not total)… (feeling-sense of) a holding of breath (so to)… —a vaguely oppressed-pregnant (—tense) hesitance. … —waiting. (—of-for the moment. to pass).
… ).
( … —talking of the astronomical phenomena of-over the year, …
—the eclipses, then, (—solar – lunar), … —seeing the international space station (the— I(aye). eSSeSS. … ) (seemingly a large, bright star (… —a pulsing sharp point of light) seeming, —moving rapidly—arcing-slight—across the dark black-blue in-of the night sky, … —the conjunction.—of… (which planets was it? … —Mars, Jupiter, ‘n’ Venus, I think (—?)… —as we drove down Great King Street,… —up in the night sky (around the moon). …
—a(…) ramble. … —‘bout life on other worlds (—Pluto and Mars this year). … about evolution. and people,—as unforgivable pond filth. … ).
…
sit.
bench (—hard, pressing,—of cold, angular slats. … ).
—chill in-of the air. (tense-ing.—of muscles-nerves-organs. —huddle. for warmth (against the chill).—a slight trembling (aches). … ).
—cold… emptiness (seems)—of the chill air.
earthy, … —meaty(—?—bacon), deep, smoky(?) vegetable-vegelat (organic), … —tang (slight) smell—hops (—Edin-burghian.—Auld Reek–.) in-of the air.—vague metallic ( … — sharp stab-raw scrape in the nostrils slight) of a pre-frost air(—?) (… —stone (hard, cold)— slight damp.—burnt fuel traces (dry, bitter.—exhaust), and cold blood metal taste of cold street furniture. … ).
thin of… —orange-grey street light(s) (lit), and(…) wan white-blueghostlight (—bright, diffuse)—of-from the moon. …
—somewhere,… (where—? … ), … —a(…) whining.—shrill-electric (… —alarm—? … —a system maybe, somewhere, … —not(-never) heard, during the day—over the noise (covers) of the day… ) faint, … —over –behind the near-distant rush of traffic (hithssssss—s(u)- waahhhh—husssss-ssss-waaahrrrr-tchtchtch … (—?)… ).
few folk out. …
—spitting (voluminous) lad. … —amble(-ing)-shambles—down – along. … (‘n’)— disappears, … —‘round-behind the corner (of the square’s gardens). …
moon (a sharp,—clear)… —threatens to slide(fall)-retreat,… —down, behind the buildings houses there. …
wha-’s that—?
(—over. … —up the way. there. … ?).
—(from) behind that car (there). …
—a fox. …
—thin-small (—wiry). wary (warily)-hesitant (—skittish).
grey,—out in the (street) light(s). …
…
and—run-run-run (…) —out-through-across the street (—road),… —in-to the square-the gardens (there).
…
and watch. … —as the dark rising disc shadow of Earth (—of ours—the shadow of us (…)— projected out over from-by the (sun)light behind, … ), … —rises slow-steadily over the bright disc ( … —swallows—up (down)… —into a (crooked) crescent,—(slight) phosphoresces. … )…
Kk(shh)-tsch(shh).
(—jolt(-tenses) sudden. jump.—cold rush(surge) nerv-adrenal (slight)). —fuck. —right behind. …
pounce.
… —prowling. hunt.—forage, and to—down in-through the, (neat-clipped), hedges (-row)… —right behind. (the bench.—sit. … ). …
—unnerving(agitat) in the dead night silence.
(…—only that cool, hollow, distant rush-breathing hiss of traffic, and electric background radiation (buzz-a humming). … ).
—rustling… crash-es (slight)… —circle. (… beat (sic.—so to–)—behind. … ). …
—a shadow (form),… —moves(dart)—behind (swift-quick). … —bursts (sudden)… —from through the hedge-row front. (—darting back as sudden). …
TSCHff-thff(ssth-)
—hunt.-hunting (some small something (—a critter-mammal)… —?),—directly (right) behind us (we sit)… —?
(—sounds (sharp, sudden) of the hunter.—stark-staccato in the otherwise night silence. … — sounds,—mewling-light-pathetic, of the hunted? (—somewhere back-down, behind). … ).
in the night.
— … is it working – up(…) —to hunting us (—an attack). … —? …
are we the mewling, (broken), pathetic prey. … —?
(cold, antagonistic, animal, violent-bloodthirsty intent(-intentions). … ). …
… —seen enough, now, then,—of the dark dirt-dusky(powder) rising shadow disk, ‘n’ the jagged blood-dusk-rust red-orange crescent (edged). …
(—enough to have seen. … ).
retreat. … —back inside, (the warm ‘n’ safe)—from the chill, and from the hunt. … …
… —beneath the now near-invisible moon (—now a faint dark disc—faint dusty-dirty yellow edged glow. … ). … —from the rear windows (—in-of the bedroom.)—overlooks(looking) the mews (down). …
—a young couple, in mews,—beneath the near invisible moon (eclipsed). … (—the girl. … —long skirt, bare legs, dark canvas… “sneaker” shoes—white rubber trimmed,… dark top, long straight hair,… —large face? …
—the boy(-young man). … —“Hipster” type. … —a “man bag” (“—A MA-aaN BA-aa-G— ?!”)—small (diminut), black,—over one shoulder. … —thin(-wiry) form, puffed black leather jacket, (too-)tight jeans (dark),—trainers-canvas “sneaker”. … —high, square-trimmed, styled hair, beard and (oblig) “muttons”. … ).
—they moved—moved-moving through the mews (down). …
(—calm, considered pace (seemed-seeming). … ).
… —checking (—trying?) back garden gates, gardens, yards, and doorways. (—open that broken gate in the garden down (over)… —peering in (down)… ),—behind the flats-the terrace(d). …
…
—looking. (—for what… —?). … —for a quick – fuck. (—some sort of a… “tuppenny upright” … ) (—ro-mantic. … ), —or, … —scoping … —? … —casing … —? … (—for targets … —ways in. … —?).
( … —who looks for a quick fuck in a garden-yard (—back alley-mews), … —sober, … — without urgency or passion (—lust), and with the preparation of bringing (having brought) a fucking TORCH… (—good CHRIST!) … —? … ).
(—ne’er-do-wells … …. —?—!).
—a hesitant call to make, … —to the (—strangely corporate-commercial) service of the police. … —? …
…
MARK BOLSOVER is a winner of the Into the Void Poetry Award (2016). His debut chapbook, IN FAILURE & IN RUINS—dreams & fragments, is published with Into the Void Press (2017). His first collection, contra FLUX.—moments caught (arrested) whilst in-from motion., is published with Polyversity Press (2019). His work has appeared in a number of international literary publications, including: Into the Void, 404 Ink, Grub Street, Projectionist’s Playground, SPAM Zine, Mycelia, Open Polyversity, and Poetry Bus.