Hi there. Welcome to
FarSide
Review
Won't you stay in our orbit a while?
Who We Are
Our Mission
Conceived as a meditation on the lunar orbit, Farside Review is a quarterly online literary magazine focused on publishing emerging authors—because, in an age of unprecedented connection, the ingenuity of new voices captivates us in the same way the elusive “farside” of the moon does.
In that vein, we aim to be a home for creative work that rediscovers the familiar, infusing universal themes with singular perspectives. We want to uncover the infinitely faceted nature of our art, our love, and our tragedies, and we welcome pieces that remix myths and experiment with form.
So give us you—the inertia of memories that smear into your futurity, your crumpled edges of identity, your old stories threaded into new skins. We’re ready for you to subvert our expectations.
Read Our Latest Issue
Issue II Out Now
POETRY
Vanessa Bradley, Christ Keivom, Esther Kim, Gurupreet Khalsa, Sophia Liu, Ruth Niemiec, Yvanna Vien Tica, Sarah Renee Wollstonecraft, and Danae Younge
FICTION
Brittany Ackerman, Jan M. Flynn, D.R. Humble, Mike Keller-Wilson, Samantha Liu, Salonee Verma, Eliza O’Keefe, and Kerri MacKenzie
CREATIVE NONFICTION
Jasmine Williamson
ART AND PHOTOGRAPHY
Roberto Diaz, Irina Novikova, Khalil Vivo, R.F. Pangborn, and K.G. Ricci
Articles and Interviews
Features Section
How Goblincore Redefines Beauty
When Do We Stop Writing?: Fatima Daas’s Commitment to the Unethical Truth
the image, & the fold (in-)of love. (Joyce / Žižek). (—why I write). …
Three Steps to “Forty-seven Forty-nine”
How I Wrote “Fantasy”
Death Match: How Dystopian Lit Shaped a Generation
The Exilic Feminine Identity in Hala Alyan’s “HIJRA”
A Love Song to Lucy Caldwell’s “Being Various”: A Lesson on Irishness
Sore Loser
Bottle Episodes and Pointless Prose



